The Questlove Show; Arthur Baker interview part1 and part2
Arthur Baker, a pioneer of Dance, Electro, and Hip-Hop, sits down in studio with Questlove for an episode years in the making. The conversation traces key milestones from Arthur’s new memoir, Looking for the Perfect Beat: Remixing and Reshaping Hip-Hop, Rock and Rhythms , as he details his role in “Planet Rock,” the early days of New Edition, and his evolution from a music-obsessed DJ in Boston to one of the most groundbreaking producers and remixers in 1980s New York City. It’s the perfect Questlove Show conversation to close out 2025—and yes, there will be a Part 2 coming soon.
We said we’d come back for Part 2—and we did. Arthur Baker, the architect behind “Planet Rock,” “Confusion,” and so much of the ’80s dance-floor sound, returns to The Questlove Show to finish what we started nearly a year ago.
Arthur takes us from carrying crates of vinyl onto airplanes to the Synclavier sessions for Hall & Oates’ Big Bam Boom, the clubs and DJs who shaped his sound, and the Brooklyn studio sessions that led to what he jokingly calls “New Arthur” records with New Order.
He also opens up about Streetwise Records, the making of Beat Street, the story behind “Sun City” and Artists United Against Apartheid, his connections to Miles Davis, Diana Ross, and Little Steven, and why he wrote his memoir, Looking For The Perfect Beat, for his daughter. Arthur Baker is back.
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